Why Wilde’s tomb became a shrine: Epstein’s design, the cult of touch, and conservation responses.

Oscar Wilde’s monument, sculpted by Jacob Epstein, is a modernist winged figure that turned into a shrine. Fans leave notes; once, lipstick kisses accumulated — now a glass barrier mediates touch and preservation.
| Issue | Cause | Response |
|---|---|---|
| Lipstick damage | Oils, dyes | Glazing barrier |
| Surface wear | Repeated touch | Signage, stewardship |
| Litter | Notes, candles | Designated offerings |
$$ ext{Surface Risk Index} = 0.5, ext{oils} + 0.3, ext{dyes} + 0.2, ext{abrasion} $$

A tomb becomes a stage for modern devotion — carefully managed to keep the story legible.
[^lipstick]: The barrier was introduced after conservation reports identified cumulative staining from lipstick tributes.

Ως μακροχρόνιος περιπατητής και αφηγητής του Παρισιού, συνέθεσα αυτόν τον οδηγό για να βοηθήσω τον επισκέπτη να βρει δρόμο στο Père Lachaise — από θρύλους και έρωτες έως ήσυχα μνημεία και την καθημερινή τρυφερότητα της μνήμης.
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