Why Wilde’s tomb became a shrine: Epstein’s design, the cult of touch, and conservation responses.

Oscar Wilde’s monument, sculpted by Jacob Epstein, is a modernist winged figure that turned into a shrine. Fans leave notes; once, lipstick kisses accumulated — now a glass barrier mediates touch and preservation.
| Issue | Cause | Response |
|---|---|---|
| Lipstick damage | Oils, dyes | Glazing barrier |
| Surface wear | Repeated touch | Signage, stewardship |
| Litter | Notes, candles | Designated offerings |
$$ ext{Surface Risk Index} = 0.5, ext{oils} + 0.3, ext{dyes} + 0.2, ext{abrasion} $$

A tomb becomes a stage for modern devotion — carefully managed to keep the story legible.
[^lipstick]: The barrier was introduced after conservation reports identified cumulative staining from lipstick tributes.

오래도록 파리를 걸어온 이야기꾼으로서, 전설과 사랑 이야기, 조용한 추모, 그리고 ‘기억을 실천하는 다정함’을 따라 페르 라쉐즈에서 길을 찾도록 돕고자 이 안내서를 만들었습니다.
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